A visit through a garden is a journey
through both time and space. It is most pleasant to experience the garden as a
series of events, both spatial and temporal. In order to separate
plant themes or color palates the area
must be divided into "garden rooms," each with its own theme and design
parameters. For example, the Joseph's Coat Rose
doesn't go so well with the Queen Elizabeth rose. Color clashes can be separated by
season or location. These rooms can be divided by screening plants, fences, or
walls. To create a temporal series requires a diversity of planting material.
A layering of individual plants moments should be a primary goal in the planting
design.There should be mystery to the garden. To achieve this it must not be
possible to view all of the elements of the landscape in one glance. If there is a
stream the source should not be visible. A pathway should pass beyond a visual
obstacle. It could only be the path to the trash can but something
should be left to the imagination. What better place could there be for imaginings
and daydreaming than a garden? It should be an escape. It should inspire a
mood.
I use a wealth of different plants. Often I use themes
or collections of plants of a particular group such as Oreganos to maintain some kind of continuity. By
doing this I can get a spread of blooming times, an extension of the flowering
season. One particular variety of narcissus will bloom for about a month. I
have a dozen varieties in my garden. They bloom from before Thanksgiving until after
Easter. There is nothing like the first blush of blooms on the roses in the spring.
My first blooming rose is almost into its second wave of bloom by the time the last
rose has started blooming. Once a framework of plants has been established I begin
to focus on the periods of time when very little is blooming. I start looking for
plants that put on their show during this down time. For coastal California there is
always something that could be in bloom. I will often attempt to bind together a
view by using gray plants repetitively or by using a pronounced foliage plant such as
Phormium sundowner.
The transition from one space to the next is one of the great opportunities to provide
interest and spark to a yard. This can be enhanced by an artful gate, arch, or
connecting arbor. One can be drawn from one space to the next by providing a focal
view into the next space, ideally leading the journey from one space to the next. A
momentary glimpse into the next space piques the curiosity.
Shared landscape is critical to giving the illusion of extended space. To do this
a mimicry of a silhouette in the background or the repetition of a tree that can be seen
over the fence can add to the space that is viewed as a part of the landscape. I
offered a tree to the neighbor so there could be a grove straddling our
fence line.
If the boundary is not seen an object beyond it will feel as if it is a part of the same
landscape. A rock in the yard that carries the same profile as a hill in the
distance makes the eye travel from one to the other connecting the two.
What is seen is as important as what is not. A series of layers of foliage is
often more effective at screening an undesirable view than a solid hedge. It
increases the perception of space and adds to the opacity of the screen. I also like
to use a focal point that draws the eye away from the undesired view. Dark foliage
does much to de-emphasize; light foliage or flowers can pull the eye into the distance,
increasing the perceived distance as well as calling attention to itself.